Associate ProfessorÌęin Literature in English from 1900 to the Present Day Email: m.sperling@ucl.ac.uk Office: Foster Court 232 |
Education and ExperienceÌę
Matthew SperlingÌęjoined MyAV·¶ in 2016 as Lecturer in Literature in English from 1900 to the Present Day and became Associate Professor in 2022. He now teaches half the time in the English department and half on BA Creative Arts and Humanities at MyAV·¶ East.
Before joining MyAV·¶, he held positionsÌęas Leverhulme Trust Early Career Fellow at the University of Reading andÌęFellow by Special Election at Keble College, Oxford. He studied at Gravesend Grammar School andÌęthe University of Oxford.
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Research Interests
Matthew's first novel,ÌęAstroturf, was published by riverrun in 2018 and was longlisted for the Wellcome Book Prize 2019. His second novel,ÌęViral, was published by riverrun in 2020.ÌęHis writing has also been published in 3:AM, Best British Short StoriesÌę2015, The Economist: 1843,ÌęThe Guardian,ÌęThe Junket,Ìęthe New Statesman,ÌęProspect,ÌęVanity Fair,ÌęThe White Review,Ìęand elsewhere.
Matthewâs critical writing focuses on modern and contemporary literature and the history of publishing and the book. His monograph, Visionary Philology: Geoffrey Hill and the Study of Words, was published by Oxford University Press in 2014. He has contributed chapters, articles andÌęreviews to many publications, and heÌęregularly writes about modern artÌęfor .
He is currently at work on a creative-criticalÌębook about the Ripley novels by Patricia Highsmith.
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Selected Publications
Ìę(London: riverrun, 2020)
âA fiercely smart and funny portrayal of tech arrogance, unhinged entrepreneurship, and the vacuous amorality of disruptive startup culture. Viral is a vicious delight.ââSam Byers
âAn irresistible, razor-sharp and hilarious takedown of our generation's masters of the universe.ââOlivia Sudjic
âSimultaneously funny and dead accurateââSunday Telegraph
âViralâs vision of our capitalist present is at once absurdist ââUberise the homeless?â Ned suggests, searching for a new enterprise â and uncomfortably familiar.ââMikaella Clements, Times Literary Supplement
Ìę
Ìę(London: riverrun, 2018)
LONGLISTED FOR THE WELLCOME BOOK PRIZE 2019
âA brawn cocktail that nails the zeitgeist... a clever and well-paced morality tale for the modern ageââSarah Gilmartin, Irish Times
âI loved Matthew Sperlingâs sly, subversive novel, aÌęwickedly funnyÌętale of how to come out on top in aÌęfake news worldââOlivia Laing
âOutrageous, sexy and funny. Sperling writes with the caustic economy of Waugh or Spark, but his characters have more heart, including theÌęsockpuppets. The plot is so taut I'm still trying to work out how he brings the tension of a heist movie to thirty-something bedsit LondonââLuke Kennard
âit proceeds with the briskness of a screenplay... the author is to be commended for the controlled and unobstrusive voice of his third-person narratorââHouman Barekat,ÌęTimes Literary Supplement
âA tale about steroids which seems to beÌęon steroidsÌęitself: sleek, muscular and just slightlyÌętoo realââKate Clanchy
âA brilliant anatomy of a certain proliferating type of contemporary masculinity: Instagram-approved, swole with self-regard, yoked with desperation, and, like this novel itself, equipped with an alarmingly strong gripââAdam Foulds
âthis sharp, short, timely novel is not only a powerful account of performance-enhacing drug use, but a snapshot of contemporary masculinity â not caricatured or simply dismissed as âtoxicâ but brought to life with empathy and witââNew Statesman
âA frank and remarkable debut from a new and authentic voice. I love Matthew Sperlingâs exploration of masculinity, love, and the plural identities that entangle us all in the contemporary worldââXiaolu Guo
ââÌęinÌęCritical QuarterlyÌę(October 2023)
ââÌęinÌęThe Junket, issue 14Ìę(June 2015)
ââÌęinÌę3:AMÌę(March 2015)
ââÌęinÌęThe Junket, issue 13Ìę(January 2015)
âRemovalsâÌęinÌę, issue 1Ìę(2014), 23â32
ââÌęinÌęThe Literateur (April 2014); anthologized in Nicholas Royle (ed.),ÌęBest British Short Stories 2015Ìę(Cromer: Salt Publishing, 2015), 113â127
Ìę Ìę Ìę Ìę CRITICAL WRITING
Visionary Philology: Geoffrey Hill and the Study of Words (Oxford: Oxford University Press, 2014)
âSperlingâs plundering of the archive makes this study an invaluable and highly revealing document of Hillâs poetic and scholarly life⊠the academic monograph invites us to read it as a brilliantly unconventional biography of its subjectââStuart Farley, PN Review
âMatthew Sperling has produced an indispensable book on the poet⊠He has also, by the way of delineating Hillâs intellectual genealogy, written a slender but learned history of English romantic philology, an important study that will repay the attention of scholars and critics interested more broadly in the politics and theology of languageââPaul Franz, Religion & Literature
âVisionary Philology is an outstanding work of scholarship and synthesisââBeau Hopkins, Notes & Queries
âa passionately informed, thoroughly fascinating exploration of Hillâs published and unpublished thought, and one that is sure to set the agenda for further research on this major poetââKarl OâHanlon, Modernism/modernity
âVisionary Philology has performed an invaluable task in its patient account of a variety of abstruse and sometimes rebarbative ideasââAlex Pestell, The Review of English Studies
âthis lean monograph is a superb example of lively and rigorous scholarship, achieving a double whammy by making significant contributions to our understanding of both Hill and literary philologyââJames Underwood, The Modern Language Review
âHymnody: From Lowell to Riley in Common Measureâ, in E.J.F. Allen, Forms of Late Modernist Lyric (Liverpool: Liverpool University Press, 2021)
âLexicography and Modern Poetryâ in Andrew Blades and Piers Pennington (eds), Poetry and the Dictionary (Liverpool: Liverpool University Press, 2019)
âGeoffrey Hill and Publishing: âThe Recalcitrance of the Worldââ, in Andrew Michael Roberts (ed.), Strangeness and Power: Essays on the Poetry of Geoffrey Hill (Bristol: Shearsman, 2019)
âNot Feeling at Home: Poetry and the Hidden Injuries of Classâ, in Tom Phillips (ed.),ÌęThe Other Lives of Peter Robinson: Essays on his WritingÌę(Bristol: Shearsman, 2021)
âCape Goliardâ, in Lise Jaillant (ed.), Publishing Modernist Fiction and Poetry (Edinburgh: Edinburgh University Press, 2019)
âThe Tribune's VisitationÌęand Fulcrum Press: The Publishing Contexts of Late-Modernist Poetryâ, in Jamie Callison, Paul S. Fiddes, Anna Johnson and Erik Tonning (eds),ÌęDavid Jones: A Christian Modernist?ÌęNew Approaches to His Art, Poetry and Cultural TheoryÌę(Leiden: Brill, 2018),Ìę249â262
Sections on âBritish Poetry Post-1950âÌęin The Yearâs Work in English Studies, volumes 93, 94, 95 and 96Ìę(Oxford: Oxford University Press, 2014â17)
âThe Publishing of Poetry: An Interview between Don Paterson and Matthew Sperlingâ, in Natalie Pollard (ed.), Don Paterson: Contemporary Critical Essays (Edinburgh: Edinburgh University Press, 2014), 145â152
âBooks and the Market: Trade Publishers, State Subsidies and Small Pressesâ, in Peter Robinson (ed.), Oxford Handbook of Contemporary British and Irish Poetry (Oxford: Oxford University Press, 2013), 191â212
Geoffrey Hill and his Contexts, co-edited with Piers Pennington (Oxford: Peter Lang, 2011)
âThe Trouble of an Indexâ, Essays in Criticism, LXI:4 (2011), 325â337
ââThe Glacial Question, Unsolvedâ: A Specimen Commentary on Lines 1â31âÌę(co-authored with Thomas Roebuck), Glossator:ÌęPractice and Theory of the Commentary, 2 (2010), 39â78
âWaterâ, in Peter Robinson (ed.),ÌęAn Unofficial Roy FisherÌę(Exeter: Shearsman, 2010), 161â168
ââThe Making of the Bookâ: Roy Fisher, the Circle Press and the Poetics of Book Artâ, Literature Compass, 4:5 (2007), 1444â1459